FIRELIGHT: I was inspired to make this first wall hanging to use a piece of tie dyed fabric in warm shades. I made it back in the late 60's when the kids were little. Two other friends would show up, all of us with toddlers, and turn the back yard into an art studio for tie dye, batik, silk screening or whatever.
The warm colors in the piece developed into the idea of a campfire at night. I learned so much about color, using purples, teal, but no black or dull tones for the darkness.
The piece I began with is the slanting one in the center, with pinks and yellows. I added small bits of satin for the sheen, plaids and dark purple velvet. It does convey the image of sparks flying up into the darkness.
MOONLIGHT: How do you convey moonlight? By its reflection on water, snow, etc. This is how I interpreted a snow scene at night, with shiny and sparkling fabrics in contrast to the deep purples and blues. I never used black or grey in these quilts. Even shadows are seen as color. There is a small bit of white satin to represent the moon.
SUNLIGHT: This was a challenge to convey sunlight streaming down through the forest. I tested and eliminated any greyed colors, using only true hues. For the leaves I found an pieces from an old 1960's silk sheath dress for $1. Again I used Thai silk, velvets and added yellow ribbons for the rays of the sun. Purple was used in the shadows because it is the complement of yellow.
I learned a great deal about color by doing these wall hangings and they are one of my favorite series. It helped me to have the block structure to work within so that nothing was random, but chosen for its particular shape and placement.
I'm very happy to be linking up with Ad Hoc Improv Quilter at Fret Not Yourself. Please check out the fascinating things shared there.